This article was first published by Artlink on 24 January, 2024. Tasmanian Gothic is an enduring trope used most visibly,…
Essay | Sundari Carmody: Turns, Protracted and Slow
This essay was first published to accompany Turns, Protracted and Slow at GAGPROJECTS, Adelaide, SA, 1 November – 1 December,…
Essay | Michael Carney: Transhuman Nature
This essay was first published to accompany Michael Carney: Transhuman Nature at praxisARTSPACE, Bowden, SA, 20 April – 19 May…
Review | James Newitt: Haven
This article was first published by Artlink on 16 March, 2023. Entering the concrete shell of Adelaide Railway Station’s North-eastern…
Book | Mark Valenzuela
Mark Valenzuela is an artist of two worlds. Born and raised in the Philippines, Valenzuela moved to Adelaide, South Australia,…
Exhibition | Mineral Lines
Mineral LinesSouth Australian Museum1 July – 18 September 2022 Mineral Lines was conceived as part of a wider exhibition program, Reaching…
Essay | One: all that we can see
This essay was first published by Guildhouse to accompany Sundari Carmody’s public work One: all that we can see at…
Review | Neoteric: when artists move in
This article was first published by Artlink on 4 May, 2022. The neoterikoi—the ‘new ones’—were an avant-garde movement of Latin poets…
Exhibition | Nutritional Index
Nutritional IndexArt Gallery of South Australia18, 19, 26 February 2022 The Impressive Vibrant Fantasy Buffet: Five Essential Rules to Achieve…
Essay | Sam Gold: Wet from a moonlight swim
This essay was first published to accompany Wet from a moonlight swim at Hugo Michell Gallery, Adelaide, SA, 3 February…